KONSERVATSIYA SEREDN′OVICHNOYI POLICHROMNOYI DEREVYANOYI SKUL′PTURY: istoriya, teoriya, praktyka

Knyzhka Mishel′ D. Marinkola ta Lukretsiya Karzher «KONSERVATSIYA SEREDN′OVICHNOYI POLICHROMNOYI DEREVYANOYI SKUL′PTURY: istoriya, teoriya, praktyka» — pereklad anhlomovnoho vydannya The Conservation of Medieval Polychrome Wood Sculpture: History, Theory, Practice by the Getty Conservation Institute, Los Angeles © 2020 J. Paul Getty Trust Persha monohrafiya, yaka vsebichno obhovoryuye istoriyu ta metodolohiyu zberezhennya seredn′ovichnoyi polichromnoyi derevyanoyi skul′ptury. TSi skul′ptury ye nosiyamy istorychnych znachen′, yaki proyshly kriz′ bahatovikovyy protses peremal′ovuvannya, pohirshennya stanu, restavratsiyi ta konservatsiyi. Zmist knyhy vklyuchaye dyskusiyu pro istoriyu, techniky ta znachennya tsych robit. Rozdily vklyuchayut′ obstezhennya ta dokumentatsiyu, v tomu chysli rozdily z identyfikatsiyi yak derevyanoyi osnovy, tak i samoyi polichromiyi — shariv farby, metalevoho lysta ta inshych materialiv, yaki vykorystovuyut′sya dlya tsych skul′ptur. U knyzi takozh vysvitlyuyut′sya bahato aspektiv obrobky: protses vyznachennya naykraschoho pidchodu; zakriplennya ta adheziya farby, gruntu ta osnovy; vydalennya peremal′ovok ta ochyschennya poverchni; i kompensatsiya. CHotyry tematychni doslidzhennya na prykladach mystets′kych tvoriv z kolektsiyi The Cloisters u N′yu-Yorku, kompleksna bibliohrafiya ta kontrol′nyy spysok dlya dopomohy v dokumentatsiyi dopovnyuyut′ tekst. V ukrayins′kiy redaktsiyi dodano Slovnyk terminiv. TSya knyha stane neotsinennym resursom u zberezhenni ukrayins′koyi ikony, ikonostasiv ta polichromnoyi skul′ptury.