Literaturnaya klassika v soblazne ekranizacij. Stoletie perevoploshhenij.
Publishing country: Russia
Language: Russian
Author: Saraskina L.I.
Publisher: Progress-Tradiciya
Publishing city: Moskva
ISBN: 978-5-89826-514-4
Publishing year: 2018
Number of pages: 584
Binding: Hardback edition
Kniga L.I. Saraskinoj posvyashhena odnoj iz samych interesnych i zlobodnevnych tem sovremennogo iskusstva – ekranizaciyam klassicheskoj literatury, kak russkoj, tak i zarubezhnoj. Opyty perevoploshheniya slovesnogo iskusstva v iskusstvo kino stavyat i reshayut vazhnejshuyu dlya sovremennoj kul′tury problemu: ekranizaciya literaturnych proizvedenij – eto igra po pravilam ili eto igra bez pravil? Ekraniziruya klassicheskoe literaturnoe proizvedenie, mozhno li s nim prodelyvat′ vse chto ugodno, ili est′ granicy, predely dopustimogo? V zhguchich diskussiyach po etoj probleme lomayutsya kop′ya. Avtor predlagaet analiz problemy s tochki zreniya literaturovedcheskoj i kinovedcheskoj ekspertizy. V centr rassmotreniya postavlen vopros: sleduet li ispol′zovat′ literaturnoe proizvedenie tol′ko kak povod dlya samovyrazheniya ili ekranizator dolzhen stavit′ sebe bolee krupnye chudozhestvennye zadachi? Ved′, kak pishet L.I. Saraskina, mastera kino, budto ispytyvaya kislorodnoe golodanie, obrashhayutsya k literaturnoj klassike kak k spasitel′nomu i zhivitel′nomu istochniku, tak chto kazhdyj god mozhno videt′ novuyu kinokartinu po SHekspiru, Tolstomu, CHechovu, Dostoevskomu i drugim mirovym klassikam.
Publishing country: Russia
Language: Russian
Themes by country: Russia
Author: Saraskina L.I.
Publisher: Progress-Tradiciya
Publishing city: Moskva
ISBN: 978-5-89826-514-4
Publishing year: 2018
Number of pages: 584
Binding: Hardback edition
Stage: PUBLISHED
Format: Printed book
Delivery time: 4-6 weeks
Kniga L.I. Saraskinoj posvyashhena odnoj iz samych interesnych i zlobodnevnych tem sovremennogo iskusstva – ekranizaciyam klassicheskoj literatury, kak russkoj, tak i zarubezhnoj. Opyty perevoploshheniya slovesnogo iskusstva v iskusstvo kino stavyat i reshayut vazhnejshuyu dlya sovremennoj kul′tury problemu: ekranizaciya literaturnych proizvedenij – eto igra po pravilam ili eto igra bez pravil? Ekraniziruya klassicheskoe literaturnoe proizvedenie, mozhno li s nim prodelyvat′ vse chto ugodno, ili est′ granicy, predely dopustimogo? V zhguchich diskussiyach po etoj probleme lomayutsya kop′ya. Avtor predlagaet analiz problemy s tochki zreniya literaturovedcheskoj i kinovedcheskoj ekspertizy. V centr rassmotreniya postavlen vopros: sleduet li ispol′zovat′ literaturnoe proizvedenie tol′ko kak povod dlya samovyrazheniya ili ekranizator dolzhen stavit′ sebe bolee krupnye chudozhestvennye zadachi? Ved′, kak pishet L.I. Saraskina, mastera kino, budto ispytyvaya kislorodnoe golodanie, obrashhayutsya k literaturnoj klassike kak k spasitel′nomu i zhivitel′nomu istochniku, tak chto kazhdyj god mozhno videt′ novuyu kinokartinu po SHekspiru, Tolstomu, CHechovu, Dostoevskomu i drugim mirovym klassikam.
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