Recepciya performansa. Marina Abramovich prisutstvuet
Publishing country: Russia
Language: Russian
Author: Antonyan M.A.
Publisher: KDU
Publishing city: Moskva
ISBN: 978-5-91304-887-5
Publishing year: 2019
Number of pages: 270
Binding: Paperback
Termin «performans» upotreblyaetsya v sovremennoj kul′ture v razlichnych, poroj krajne protivorechivych znacheniyach i kontekstach. Voprosy o tom, chto predstavlyaet soboj iskusstvo performansa i kakovy osobennosti ego vospriyatiya, do sich por ostayutsya aktual′nymi kak dlya massovogo zritelya, tak i dlya professional′nogo soobshhestva. Dannoe issledovanie izuchaet osnovnye problemy obshhestvennogo, lichnogo i professional′nogo ponimaniya iskusstva performansa, obrashhayas′ k rabotam i idejno-filosofskim ustanovkam Mariny Abramovich, odnoj iz klyuchevych figur v mire iskusstva poslednej chetverti CHCH – nachala CHCHI veka. Avtor analiziruet process recepcii performansa v pole kul′tury i iskusstva s tochki zreniya teorii kommunikativnogo akta, rassmatrivaet terminologiyu i istoki yazyka iskusstva dejstviya, a takzhe temu vzaimootnoshenij mezhdu zritelem, obshhestvom i chudozhnikom, ispol′zuyushhim chelovecheskoe telo i soznanie dlya sozdaniya proizvedeniya iskusstva. V rabote predstavleny osnovnye cherty, tipy i istoricheskaya periodizaciya zhanra, razobrany problemy nagoty, skuki, tabuirovannosti, vremeni i prostranstva, voprosy raboty s podsoznaniem, voli, empatii, umershhvleniya ploti, interaktivnosti, poiska identichnosti.
Publishing country: Russia
Language: Russian
Themes by country: Russia
Author: Antonyan M.A.
Publisher: KDU
Publishing city: Moskva
ISBN: 978-5-91304-887-5
Publishing year: 2019
Number of pages: 270
Binding: Paperback
Stage: PUBLISHED
Format: Printed book
Delivery time: sold out
Termin «performans» upotreblyaetsya v sovremennoj kul′ture v razlichnych, poroj krajne protivorechivych znacheniyach i kontekstach. Voprosy o tom, chto predstavlyaet soboj iskusstvo performansa i kakovy osobennosti ego vospriyatiya, do sich por ostayutsya aktual′nymi kak dlya massovogo zritelya, tak i dlya professional′nogo soobshhestva. Dannoe issledovanie izuchaet osnovnye problemy obshhestvennogo, lichnogo i professional′nogo ponimaniya iskusstva performansa, obrashhayas′ k rabotam i idejno-filosofskim ustanovkam Mariny Abramovich, odnoj iz klyuchevych figur v mire iskusstva poslednej chetverti CHCH – nachala CHCHI veka. Avtor analiziruet process recepcii performansa v pole kul′tury i iskusstva s tochki zreniya teorii kommunikativnogo akta, rassmatrivaet terminologiyu i istoki yazyka iskusstva dejstviya, a takzhe temu vzaimootnoshenij mezhdu zritelem, obshhestvom i chudozhnikom, ispol′zuyushhim chelovecheskoe telo i soznanie dlya sozdaniya proizvedeniya iskusstva. V rabote predstavleny osnovnye cherty, tipy i istoricheskaya periodizaciya zhanra, razobrany problemy nagoty, skuki, tabuirovannosti, vremeni i prostranstva, voprosy raboty s podsoznaniem, voli, empatii, umershhvleniya ploti, interaktivnosti, poiska identichnosti.
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