Beschreibung
Nastojačšee issledovanie posvjačšeno izučeniju otnošenij živopisnoj semiotičeskoj sistemy s literaturnym tekstom kak intermedial′nomu javleniju i priemov živopisi kak sredstvu organizacii teksta v proze A. P. Čechova. V knige predstavlen sistemnyj analiz voprosov prisutstvija živopisi v proze A.P. Čechova i otnošenijam meždu ėtimi semiotičeskimi sistemami. Technika A. P. Čechova, s pomočš′ju kotoroj literaturnyj tekst stanovitsja javleniem intermedial′nym, sinteziruja v sebe znakovye sistemy živopisi, opiraetsja na ėkfrasis (javlenie mežsemiotičeskich perechodov). Aktual′nost′ raboty obuslovlena rastučšim interesom k media-teorijam i sintezu različnych vidov iskusstva v ramkach odnogo literaturnogo proizvedenija, a takže ėkfrasisu. V rabote proanalizirovany primery, iz kotorych vidno, kak dlja Čechova-prozaika charakterno postojannoe obračšenie k perevodu živopisnogo v slovesnoe. Ėkfrasis, kak priëm intermedial′noj poėtiki, stanovitsja strategiej avtorskoj techniki pis′ma i postojannoj praktikoj pisatelja.
Ignatenko Alexander V. Painting in A. P. Chekhov’s prose
The present research is devoted to the studying of the relationship of the pictorial semiotic system with the literary text as an intermedial phenomenon and painting techniques as a means of organizing the text in A.P. Chekhov. The book presents a systematic analysis of the issues of the presence of painting in A.P. Chekhov and the relationship between these semiotic systems. Technique of A.P. Chekhov with the help of which the literary text becomes an intermedia phenomenon, synthesizing the symbolic systems of painting in itself, relies on ecphrasis (the phenomenon of intersemiotic transitions). The relevance of the work is due to the growing interest in media theories and the synthesis of various art forms within the framework of a single literary work, as well as ecphrasis. The paper analyzes examples from which it is clear how Chekhov the prose writer is characterized by a constant appeal to the translation of the pictorial into the verbal. Ecphrasis, as a technique of intermedial poetics, becomes a strategy of the author’s technique of writing and a constant practice of the writer.
