Lyubov′ k sebe sredi ruin
Publishing country: Russia
Language: Russian
Author: Paperno A.
Publisher: Ad Marginem Press
Publishing city: Moskva
ISBN: 978-5-91103-520-4
Publishing year: 2019
Number of pages: 136
Binding: Paperback
Ruina dlya Aleksandry Paperno — otpravnaya tochka v podgotovke proekta i central′nyj syuzhet, vokrug kotorogo razvivaetsya vsya vystavka. Ruina — ne tol′ko ischezayushhee mesto, ona — simvol koncentrirovannogo proshlogo, melancholii i toski po «zolotomu veku». Ruina vyrazhala i kul′tivirovala estetiku medlennogo raspada i stala edva li ne glavnym fonom dlya evropejskich zhivopiscev XVIII–XIX stoletij. K XX veku ocharovanie ruinoj i ruinoj kak ideej nikuda ne ischezlo, tol′ko sam obraz i specificheskoe «ruinirovannoe» sostoyanie rasprostranilis′ ne stol′ko na architekturu, skol′ko na bol′shie ideologicheskie i politicheskie proekty i, shire, na kul′turu, kotoraya mnogokratno raspadalas′ i sobiralas′ vnov′. Paperno kak raz i rabotaet s etim kul′turnym kontekstom, s situaciyami, kogda kul′tura i civilizaciya stanovyatsya vdrug uslovnym naborom strannych pravil, kodov, smysl kotorych davno poteryan. Ona otyskivaet eti momenty obryva svyazej i so vsej nezhnost′yu i ironiej predstavlyaet ich, rabotaya raznymi chudozhestvennymi sredstvami. Nazvanie vystavki, pozaimstvovannoe u Bryusa CHatvina, — rabochee nazvanie odnogo iz ego esse, obygryvayushhee rasprostranennoe klishe viktorianskoj kul′tury
Publishing country: Russia
Language: Russian
Author: Paperno A.
Publisher: Ad Marginem Press
Publishing city: Moskva
ISBN: 978-5-91103-520-4
Publishing year: 2019
Number of pages: 136
Binding: Paperback
Weight: 400гр.
Stage: PUBLISHED
Format: Printed book
Delivery time: 4-6 weeks
Ruina dlya Aleksandry Paperno — otpravnaya tochka v podgotovke proekta i central′nyj syuzhet, vokrug kotorogo razvivaetsya vsya vystavka. Ruina — ne tol′ko ischezayushhee mesto, ona — simvol koncentrirovannogo proshlogo, melancholii i toski po «zolotomu veku». Ruina vyrazhala i kul′tivirovala estetiku medlennogo raspada i stala edva li ne glavnym fonom dlya evropejskich zhivopiscev XVIII–XIX stoletij. K XX veku ocharovanie ruinoj i ruinoj kak ideej nikuda ne ischezlo, tol′ko sam obraz i specificheskoe «ruinirovannoe» sostoyanie rasprostranilis′ ne stol′ko na architekturu, skol′ko na bol′shie ideologicheskie i politicheskie proekty i, shire, na kul′turu, kotoraya mnogokratno raspadalas′ i sobiralas′ vnov′. Paperno kak raz i rabotaet s etim kul′turnym kontekstom, s situaciyami, kogda kul′tura i civilizaciya stanovyatsya vdrug uslovnym naborom strannych pravil, kodov, smysl kotorych davno poteryan. Ona otyskivaet eti momenty obryva svyazej i so vsej nezhnost′yu i ironiej predstavlyaet ich, rabotaya raznymi chudozhestvennymi sredstvami. Nazvanie vystavki, pozaimstvovannoe u Bryusa CHatvina, — rabochee nazvanie odnogo iz ego esse, obygryvayushhee rasprostranennoe klishe viktorianskoj kul′tury
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